Category Archives: 2013

Yonder Harvest Fest, Oct. 16-19

On Mulberry Mountain

On Mulberry Mountain

Cold and rain couldn’t put a damper on the Yonder Mountain Harvest Festival, held on Mulberry Mountain in late October. This festival, several years old now, is primarily acoustic, and that includes bluesgrass, folk, hillbilly, country, and about two dozens types of alternative or nameless other genres.  Four stages, with music alternately beginning on one of them every 15 minutes.  Surrounding them were countless vendor booths offering just about anything a camper might need from deodorant to decoupage to designer/hippie clothes. And surrounding all that were numerous, multiple, many many campers.

As it was at Thunder On The Mountain, the volunteer crew epitomized the heart of the festival. They worked hard, and then they played hard.

This festival brought  — I don’t know for sure, but — up to four dozen bands into Arkansas, most playing once, and a few performing twice while there. And they traveled from all across the U.S. to get there.

Of the new ones — well, not new, but new to me — bands that made a personal impact here was one called the California Honeydrops. This pop/jazz/blues band is about 6 years old, and got their inspiration from the American music that founder Lech Wierzynski listened to as a child in his native Poland. Once in America, he played in Washington, D.C., then set out to California where he developed a reputation as a primo trumpet player, singer, and guitarist. One by one, he added others to work beside him until, by the time they hit Harvest Fest, they were 5-strong: Lech taking the lead vocals, and others in the band playing keyboards, accordion, bass, washboard, drums, and saxophone.

Uncle Lucius never disappoints.  Austin rock dipped in R&B and accented with genuine yet understated showmanship and topped off with rememberable songs unique to their unique style.  They played the backwoods stage with only about 40 people in front of them, but they made 40 news fans that day. One of those was already a fan, Travis Stearns (drummer with the Dirty River Boys) ambled over to listen to his buds after the Dirty River Boys finished their set.

A hillbilly band that struck out because of their completely unusual band makeup was Mountain Sprout, straight out of Arkansas. This band gives pomp to what some might think of when “hillbilly music” is brought up. A fiddle, a dog-house bass, guitar, banjo, and more, and when they got the strings all working together, it didn’t come out quiet bluegrass, or quite folky, or quite country. Rather, it was a downhome mix of all that, brought to the stage by what looked like moonshiners, with their Hee-Haw beards. First-class, all-the-way, no-holds-barred music machine!

If there was a disappointment, it was Greensky Bluegrass, and not because of the music they brought. This group rocked out most of their bluegrass songs, and many of those songs were originals.  This Michigan band got a daylight spot on the main stage, with a sound system and fans to be envied. Banjo, dog-house bass, dobro, and guitar. However, unlike other bluegrass bands, they were freer with the curse words on stage, and threw out the F-bomb, after which several older people and several adults with young children, picked up their lawn chairs and left the audience.

I won’t let one dirty worm spoil my memory of the festival — there were so many others that swept  that set into the corner. And when October comes around again, and June before that with its Thunder On The Mountain on the same great grounds,  my hippie van will be returning to Ozark, Ark. The festival dates and line-ups will be posted in the live music calendar and festival calendar here in Scene In Town when they become available.

The cold and rain did dampen my enthusiasm, however, and I returned home two days early. Darn it! Thought I was tougher than that.— Mary Jane

A bunch of other photos, including volunteers, click here

California Honeydrops photos, click here

Swampbirds photos, click here

Dirty River Boys photos, click here

Mountain Sprout photos, click here

Uncle Lucius photos, click here

Greensky Bluegrass photos, click here

 

 

 

 

Cooler’n Hell Fest, KHYI, 2nd annual, 8/3/12

Cooler’n Hell Fest, the second ever, has come and gone and left in its wake memories of an incredible day. Thanks, KHYI, Joshua Jones and Lisa Hooks and all the musicians, DB Sound guys, all the vendors and volunteers, Half Pint Brawlers, Angela Hightower (Scene In Town)  for selling Kevin Deal’s and Mark David Manders‘ CD for them, and Mark Bickham for helping Mary Jane Farmer with the photography. It takes a lot of folks working together to make such a major event come together seamlessly.

And mostly thanks to the crowd, who, as always, was nothing but jam-packed with nice, fun-loving, caring, music fans. Can’t be beat anywhere!

Keep your March weekends open for now, because Texas Music Revolution comes around really fast. It’ll be at Southfork Ranch, too!

Folks, three or four of the VIP Meet ‘n Greet pix with Ray Wylie Hubbard didn’t turn out, but the rest of them will be on that Walgreen’s Website, the URL given you at the time. I just need a little more time to upload there…

Cory Morrow pics, click here

Crow Black Chicken pix, click here

Darryl Lee Rush pix, click here

Jerrod Medulla pix, click here

Kevin Deal pix, click here

Mark David Manders pix, click here

Rusty Brothers pix, click here

William Clark Green pix, click here

Zane Williams pix, click here

Ray Wylie Hubbard pix, click here

For Half Pint Brawlers pix, click here

For crowd shots and other types of activities, including your pic, click here

V.I.P. Meet n Greet with Ray Wylie Hubbard

 

 

 

 

 

Thunder On The Mountain

 

Main Stage on the grounds, 3 stages total will be in use!

Main Stage on the grounds, 3 stages total will be in use! Charlie Jack, are you seeing those lights?

Photos and observations by Mary Jane Farmer

Sunday:

Sunday morning, when the music was all over, I got my media pass. I have to say that the guards, led by Sean, on my favorite stage were more than willing to let me move around and get up close for photos.

It was hard to leave the volunteer crew and leaders. Such great people, full of heart and soul!

For volunteer and other shots, click here:

Saturday:

The big day, the Toby Keith day. He and entourage arrived the night before in two buses and one 18-wheeler. The driver for Easton Corbin, who played Friday night, said that all other stars’ buses were being held in line until after Toby Keith arrived, since he had so much more equipment and required the most parking behind that stage. So, for a while, busses carrying Easton Corbin, Montgomery Gentry, and Luke Bryan stayed on the side of the road.

No volunteer work today. All done with that.

The first band I heard sounded familiar, but it wasn’t until later in the day that I placed them. The Trey Hawkins Band would make a good Texas country music band, except they are from Arkansas. Solid music, tight deliveries, originals with a few covers thrown in for crowd pleasers, and all-around nice guys. Sound like Texas music to you, too? Well, where I had run into them was at Billy Bob’s Texas last band contest. They had placed and come in to complete, and made a good showing then, too.

The Moonshine Bandits, who said they just signed with Average Joe Entertainment, also said this was their first-ever day time gig, and had been in the business for about 15 years. They get the award for weirdness. It started with a DJ butchering songs on stage, then the two rappers came out with hand-held mics. Rap and, like Shooter Jennings, much affection for tossing out that F-Bomb, in spite of there having been numerous children in the audience. I hope parents covered some eyes when the fat guy came out in his tighty whities and mooned the crowd. Got pix of it.

The two guys were good enough, just a strange, bizarre show.

Brandon Jenkins had a smaller crowd for his set, and the highlight, for this fan, was when he sang a new song he wrote from his Austin home to stopover at Smitty’s in Denison for a gig Friday night, then finished the song on the way to Arizona. He also explained a lot of the backgrounds to his lyrics, and that added dimension to this man of mystery.

Got back to the best stage in time to catch the Lance Carpenter Band, new to me, and very good. Lance was refreshing in his lyrics and delivery — hardly ever even held a guitar, he let his band members handle the instrumentation — and his attitude. Lance is an Ozark, Ark., native now working and signed in Nashville. Randy Rogers called Lance back out on stage to sing in his set later in the day.

Randy Rogers Band, well, what can one say about them, except that they are awesome, and that they will be at Smitty’s Friday night this week (June 14) along with Dustin Perkins Band and a couple of others. Brady Black was all over the stage with his fiddle, and the others in the band were never quite still either, except, of course, the drummer. He was active, just in one spot.

Josh Abbott Band and Stoney LaRue closed that stage down after Justine Moore and Toby Keith finished their sets. Great music, great representation of all that is good in music. ‘night yawl.

I didn’t mention, but one service that made it a little easier to get around to the stages was the Festi-Cab… numerous golf carts that made ground rounds to take one where one needed to go for a nominal fee. Also, I was helped extensively by the guys with Banjos To Beats (Dallas), who also had golf carts to use with the volunteers, and by Heather, who owns a massage therapy school and, with her students, was there giving free chair masssages — I got three! She, too, toted me around on her golf cart.

For Saturday pix, click here  (again, a lot of photos… I never know when to quit)

Friday:

I’ll admit it, I’m getting tired of this volunteer work, the manual labor of it, hard on this ol’ skeleton of mine. But it’s still a major highlight of the event. I came here not knowing one single soul, and by mid-Friday, I was hearing “Hi, Mary Jane,” from people everywhere and getting hugs just like I do at home. So, I’m signing up again for the October Harvest Fest, also there on Mulberry Mountain, Ozark, Ark. ‘nuf said ’bout that.

Aaron Watson opened the day for me, although there were some others who played before him on each of the three stages… I was just busy selling ice as a volunteer, too far away to hear them. Aaron is a class act, and spent time after his set at the merch table, being photographed and signing items until everyone who approached him had had a moment or five with him.

One disappointment I had was missing Cody Canada & The Departted, and later caught some of Bleu Edmondson’s set on the third stage. But, when Reckless Kelly got up for its second set of the festival… they and Aaron Watson were two of the very few who played more than once… Cody Canada and Seth James came in and jammed about four songs with them. And that’s when I knew the truth of the matter….

This truth… there were major stars, Nashville stars, on the bill, on a major stage, with major backlighting and more musicians on stage with them, and jumbo trons on both sides, but the truth is — not a one of them was one iota better than our Texas and Red Dirt and songwriter/singer musicians. OK, some are as good, I’ll give them that, but NOT BETTER!

Casey Donahew and his band wowed the crowd… but they always do. Then everyone broke for Montgomery Gentry and Luke Bryan on the “major” stage… I went to the hippie van again and listened from afar… too much walking from one stage to the next for me.

A band from another area, Sunny Ledford, brought a huge following to his set in the Backwoods Stage, after having been interviewed on area television. His music could fit into the genre of raggae, if one needs s genre. Lots of reggae beat and rhythms combined with some rag influences.

Still didn’t make it to the ‘major’ stage, and Luke Bryan played Friday night. I’m just not a big fan of the “3-song limit” rule ‘major’ stars infringe on folks with “professional” cameras, but let any 10-year-old with a cell phone take photos all night long. There, I said it.

For Friday pix, click here:  

Thursday:

The music started today, and, I continued my volunteer work in catering. Today was a little easier, in that I was assigned to serve food instead of wash up the mess. More new people to learn their names, and each one was a lot of fun to work with. Work done, I realized I’d missed Whiskey Myers and left before Reckless Kelly hit the stage… exhausted.. But spent the time in between making up for that lost music. The Cadillac Three were so good… Aubry Harris at Two Frogs and Heritage Hall has bragged on these guys for more than a year, and Aubry, you were right!

The set of the day, at least for me and a few hundred others, was Roger Creager and his band. By themselves, they were great. Roger moving from guitar to horn to keyboard to harmonica and all the time singing songs he’s written.

The disappointment of the day, for me, was Shooter Jennings. The man could not sing without throwing the “F-Bomb”  into the lyrics about every 5th word. And, sorry Shooter and others who love that word, it’s not melodic! It says nothing, except that the user doesn’t know any more descriptive words to use instead.

Went to bed still without shower or bath… spit baths in the hippie van… day 3. Listened to Kevin Fowler and Backroad Anthem, playing on the “major” stage, at the van. Sound was that clear and strong!

For Thursday photos, click here:

Wednesday:

Got up, after a weird night’s sleep in the hippie van. First too hot in there, then chilly, and slid off the egg carton bed a couple of times. OK, no problems. Checked in for my first volunteer assignment, which was in catering. Me and my new friend, Peggy, spent 6.5 hours there. Great crew to work with, all they do is go from one major festival to another across the country, setting up their kitchen and going to town with great meals.

I laughed when I thought how many times I’ve said, “Don’t they know who I think I am, anyway?” ,  as I bent over the dishwashing sinks for the first 5 hours, back breaking work, literally. Then spent the last 1.5 hours dicing potatoes, huge boxes of them. It was small compensation when Shane, the kitchen guru, said it might help to remember that the musicians would be eating some of those potatoes. Believe me, when I see the guys in Whiskey Myers tomorrow, I’m going to ask how they liked the potatoes. And I expect applause!

The nicest person I have met yet here is the volunteer staff coordinator, Amanda. (Also Peggy) She’s from Dallas, and still smiling even after having worked that previous festival to boot. She gave me a golf-cart tour of these huge grounds, all four stages. She said one might be used, but it isn’t on the schedule. Also got not one, but two chair massages from Candace, a student in massage academy in Arkansas. That felt really good that all that stooping and chopping!

The honey-wagon came and cleaned out those port-a-potties, and the volunteer crew made the grounds look like virgin territory. Great work by a good-natured, hard-working crew!

As a BTW, when I introduced myself as media to the folks at that check-in area, they said they had run out of media passes, but if someone didn’t come, I could have that pass. First time ever I’ve heard of running out of media passes, especially in an event in which so many hundreds of thousands of dollars had been poured and in which the media plays such a critical role. But, run out they did.

Settled in for the night. Note to self:  Always go to festivals where I get a golf cart of my own! More Thursday.

Wednesday photos, click here:

Tuesday:

Arrived about 6:30 p., after a leisurely drive to the Ozark Mountain, specifically the Mulberry Mountain part of it. I’m a day earlier than most volunteers, but have a shift that begins early Wednesday morning, so figured this was the best way: arrive, get settled in, and show up Wednesday on time.

There was another festival on these grounds last weekend, and the residue left behind by that crowd was almost unbearable. The stench inside the port-a-potties was beyond belief, and the grounds were littered with stuff no innocent human should have to pick up. It didn’t even begin to pass the Kerrville Festivals comparison, which I use often with festivals. Got a little discouraged and ready to go back home.

For Tuesday photos, click here:  (Some of these are duplicated in the final group, shown after Sunday’s recap.)

Texas Music Revolution 17, KHYI, March 9, 2013

DSC_3831_2_3_tonemapped_0136

By Dave Hensley

Texas Music Revolution 17 boasted record attendance, with thousands there to see and hear their favorite Texas and Americana music bands. None of the bands disappointed, as displayed by the fans’ continual admiration in front of the two Southfork Ranch stages, the lighted cigarette lighters and cell phones held up, and the singing along with every band.

!!!And, as a quick aside, Ray Wylie Hubbard has already announced that he will be at the second Cooler’n Hell Festival, also at Southfork Ranch in Wylie/Parker, Texas, on Saturday, Aug. 3. Rumor has it, unconfirmed but still intriguing, that the Dirty River Boys will make a return appearance then, too. Stay tuned to KHYI Radio, 95.3 (The Range) for more information on this second, now-annual one-day festival.

Photographers for this event were: Mary Jane Farmer, Mark Bickham, Jack Browning, Dave Hensley, and Raymond Murphy. Most photos are labeled as to who the particular photographer was.

There was also a pre-party a couple of weeks ahead of time, and here’s the link to those photographs. Did I mention that Stoney LaRue played it at Southern Junction in Rockwall? For pre-party story and pix, click here.

The first to perform was Zane Williams, acoustic/solo, who gave a private show to those who held a V.I.P. ticket. Zane played a few of those he chose, and then opened it up for requests. And they flew at him, his fans being very in tune with his tunes. At the end of his set, he stayed behind for special photographs with the V.I.P.s, always smiling and listening and interested in every one of them.

Later, Zane played with his full band on the Forty Creek Whiskey stage.

For Zane Williams V.I.P. concert pix, click here:

For Folk Family Revival pix, click here:

For The Will Callers pix, click here:

For The Bigsbys pix, click here:

For Ronnie Fauss pix, click here:

For American Aquarium pix, click here:

For Two Tons of Steel pix, click here:

For The O’s pix, click here:

For John David Kent pix, click here:

For The Dirty River Boys pix, click here:

For Chris Knight pix, click here:

For Uncle Lucius pix, click here:

For Zane Williams Band pix, click here:

For Jason Boland pix, click here:

For Turnpike Troubadours pix, click here:

For KHYI folks and friends, click here:

For crowd and other shots, click here:

Also, please keep in mind that the 2014 Texas Music Revolution will be held again in March, and KHYI will be giving details on that later this year.

 

 

TMR Pre-pre-party

 

Stoney LaRue

Photos and story by Mary Jane Farmer

The party is on. Texas Music Revolution is in the air. With less than two weeks to go (March 9)  until the doors of Southfork Ranch open to a stream of excited Texas music fans, and with a diverse line-up that includes the cream of the crop, everyone from this year’s Shiner Rising Star winners The Bigsbys to the remarkable Turnpike Troubadours, TMR 17 promises to be the best it has ever been.

It all officially began Friday night at Southern Junction in Royse City/Rockwall with a pre-pre-party with three bands on stage. Well, not at the same time, but bing-bang-boom, one right after the other.

The Marcus Lindsey Band, a regular at Southern Junction, showed off boundless style and class with a collection of great dance tunes and Marcus’ vibrant voice, a voice that added dimension and character to every song. This was just the beginning.

Big Gus & Swampadelic, the band with absolutely no way to be cast in a genre, played next, Ric Denker on his fiddle that can be pure country or move over to the blues style, and then Greg and Alan can switch from their blues or jazz over to the Cajun licks that Big Gus also excels on. Chad  and Bill just rock through them all, on stand-up bass and drums.

Then, while all the equipment on stage was being swapped out for the incredible Stoney LaRue to kick off, Big Gus and the muse for some of his new songs, Tracy, pulled two names out of a hat, filled with the names of everyone who had signed up at the KHYI “spin the wheel and sign up” table, and gave away two sets (4 at $198 each) V.I.P. tickets for the March 9 Texas Music Revolution, absolutely 100% free! His KHYI cohort, Allan Peck, also had some M.C. chores/honors at the event.

Then Stoney. What does anyone need to say, or could say, that hasn’t been said about the amazing Stoney LaRue, the front-runner of Red Dirt/Texas music? Stoney, his signature red bandana tied around his head, and his band of renown played songs from his most recent CD, “Velvet,” and also from earlier projects, with emphasis on those written by “my friend Brandon Jenkins,” he said.

Dancers danced, friends visited, music soared, steaks sizzled, and Texas Music Revolution 17 got kick-started right. This being a pre-pre-party, there is every reason to believe there will be a pre-party as well between now and March 9, so stay tuned. And you can, if you haven’t already, get your tickets for TMR through the KHYI Website (click here), and at Love & War in Texas (Plano). $15 savings if bought in advance, and that ain’t hay!

For many photos, click here