Category Archives: – Festivals

Photography is… No. 1-Immortality

First in a series about photography and why I (Mary Jane Farmer) love it so much. Some of this is ‘borrowed’ from another source, most  is uniquely my own.

Photography creates immortality — Every Thanksgiving, my family is at my house. It’s tradition. The grandkids take out the old photo albums and go through them, again and again. It’s different somehow than seeing photos on a cell phone or social media. They laugh and they remember and relive those good times. And they also remember those gone on before them with just seeing the smiling faces of their loved ones preserved in a photo.

Robert Shaw, photo by Mary Jane Farmer

The four photos I am posting with this article are not family by origin, but all musicians, family by choice, who have all gone on ahead of me, of us. They played Kerrville Folk Festival when I was there as assistant to Producer Rod Kennedy, and as staff coordinator.

Robert Shaw. Robert was a powerhouse of a blues and boogie-woogie piano player. He was 77 when he passed away in 1985. Besides his talent that he shared not only on stage, but around the grounds, he enhanced everyone around him with that incredible, loving grin. The last time he left Quiet Valley Ranch, he pulled his car over to me and said, “I’m fixing to do something the devil hasn’t even done yet, Mary Jane.” “What’s that, Robert?” I asked. “I’m going to leave you now.” And with that his driver went on out the gate and I could hear him laughing as hard as I w

  • Townes Van Zandt photo by Mary Jane Farmer

    Townes Van Zandt. Townes had talent far ahead of his time and his peers, and people sat mesmerized every time he stepped on the Kerrville Folk Festival stage. He was 53 at the time of his passing in 1997. I and Kennedy drove him to Austin, years before that, following one of his stays at a treatment center, trying to get away from the addictions that consumed him. That night, he was to appear on “Austin City Limits” then filmed on University of Texas property. We walked into the green room with him, and it was filled with the smoke, smells, and availability of illegal/dangerous drugs, the very poison that he had been running from. Someone may hate me for saying this, but even his band members, his musician friends, didn’t care enough to help keep temptation away from him.

    Stan Rogers photo by Mary Jane Farmer

  • Stan Rogers. Stan and I became instant good friends during the days he, his brother Garnet, and fellow Canadians Al Simmons and Connie Kaldor were at Kerrville Festival in 1983. We laughed together and with others. At The Inn of the Hills over dinner, we danced, we ate escargot, and later he sang me the last song he was writing at the time, one commissioned of him for a movie. The others flew back to Canada on schedule, Stan stayed one extra night, because he wanted one more night of campfire pickin’.
  • I always got a hotel room during festivals because my cabin became the green room for performers. Middle of the night it was when the phone rang, an AP reporter wanting a comment from me about the Canadian who had died in a plane that night. “What Canadian?” I asked. “Well, I can’t say, but can you make a statement?” What? She began to tell me the story of how the plane made an emergency landing, and as she talked I figured out it was Stan. I spent the next day having to tell others, starting with Chief of Security and Kennedy himself, one new friend of Stan’s at a time

    Wayne Kennemer, Photo by Mary Jane Farmer

    about his demise. Also had to work with Pedro Gutierrez, who had recorded all of Stan’s set, to get it mixed and mastered and quickly sent to BBC TV, being as Canada is under British government and they called from across the big pond asking for our help. No chance to cry, to mourn, to grieve, to talk about him. Business as usual, hoping and helping to keep staff together. It was a year after that festival before I could even listen to his music, it was that hard. He was 34 and had already made a positive impact on the world. He will remain with me always.

  • Wayne Kennemer. Wayne was a friend who lived in Kerrville. And one heckuva good musician. He and I would meet for breakfast mornings. He taught me to add some mustard to my ketchup for even more flavor. He was involved in the filming of “The Alamo-ThePrice of Freedom” for the Imax Theater in San Antonio. It was quite a treat to interview my own good friend about the filming and all the intrinsic pleasures and lessons he had gotten out of being involved. His name isn’t on the credits anywhere, but he was there, involved, and important in his assigned way to its success.

 

Woody Fest 2018 — Lived up to Woody’s life completely

Turnpike Troubadours on the Pastures of Plenty stage, Woody Fest.

This first appeared in the Friday, July 27, 2018, edition of Paris News.  Story and photos by Mary Jane Farmer, who still has about 2,000 more photos to process.

Okemah, Oklahoma, celebrates one of its own every year, mid-July, with a music festival in his honor, and two other regional favorites, also Okemah natives, play it every year.

Woody Fest, or the Woody Guthrie Festival, is celebrated on the weekend nearest July 14 each year, and features Even Felkner and the Turnpike Troubadours, and also John Fullbright, both of whom were born in Okemah.

On July 14, 1912, Woodrow Wilson Guthrie was born in a frame house in Okemah, a house which later caught fire, killed his sister Clara, and destroyed the family home. It was a hard life for the family, especially after his mother was committed to a hospital for the insane, but later determined to have been a victim of Huntington’s Disease. Woody’s dad, Charles, soon moved to Pampa to repay his unsuccessful real estate debts.

As is not a secret, Woody Guthrie was one of thousands who moved from Oklahoma to

Riley Amanda, Woody Fest Youth Songwriting Contest Winner.

California to escape the Dust Bowl and the poverty is created. Circumstances were such that Woody returned his family to Pampa but answered the call of the wanderlust himself. The rest is history, and there’s a museum in downtown Okemah that documents much of that history.

Woody Fest is produced by A Coalition, a non-profit corporation, of interested and involved music lovers, who are already planning their 2019 festival, to be held on July 10-14. This past year, there were four daytime stages in the downtown area, plus numerous ‘outreach’ themed concerts at churches, nursing homes, the museum and such; and it all shifts for the night performances to the Pastures of Plenty stage just slightly off the beaten path.

The musicians come from all over the United States and points across the oceans. Around the first of each year, the Coalition begins accepting applications from those who want to play. That is always

Bob Livingston and David Amram

posted on the Website, WoodyFest.com. After the shut-off date is met, the Coalition makes it choices. Some, like the Turnpike Troubadours and Fullbright, don’t have to apply, they are just automatically included. Others are there many years, and some play a year or two, and then are rotated out to make room for new talent. Those most often there include the Red Dirt Rangers, including Randy Crouch, from Oklahoma; Croatian-born and USA-raised Radoslav Lorkovic; David Amram, New York’s classical composer and expert at musical instruments from across the globe; and Joel Rafael from California. Regular repeaters can include Texas’ own Butch Hancock; a

Kyle Nix, with Turnpike Troubadours, plays backstage with new, young fans.

man of few words, Sam Baker; and several of Woody’s musically inclined granddaughters and great-grandchildren.

Some of the newer ones that instantly became this writer’s favorites include the following.

Ronny Cox — Actually, Cox is one of those more-often repeaters, and it’s because his

songs are so refreshingly frank, very Woody-style. Cox is also an actor, who prefers playing music to acting, but still accepts numerous screen roles. His first, or at least the one that shot him to stardom, was as the picker in the 1972 film, Deliverance, in which he was the duo portion of the “Dueling Banjos” scene. He turns down about 90 percent of the acting offers he’s given in favor of playing about 100 festivals and concerts each year.

Ronny Cox

This year, Cox brought Radoslov, or “Rad,” on stage with him, Rad on keyboards and his accordion and Cox on guitar and story-telling via songs, spellbinding the audience. That’s no easy feat for an 80-year-old, but easier for those octogenarians who make music their lives and who have something, like Cox, to say through their music.

Chloe-Beth — This young lady, barely 18 years old, managed to keep the residents of

Care Center captivated at an outreach concert. Nervous, having not played in public often, Chloe-Beth made her first smart move by dressing and applying make-up similar to the flapper-age icon, Betty Boop, someone many residents were familiar with. She presented many of her original songs, strumming the guitar while sitting in front of the community room’s fireplace and without any

Chloe-Beth

microphones or amplification. But it was when she kicked into the more familiar cover songs, such as “Marie Laveau,” that ears really perked up. Chloe-Beth added little personal touches, too, such as making one new fan feel special by giving him her guitar pick.

Joe Purdy — An Arkansas native, Joe Purdy rapidly became this writer’s favorite ‘new-to-me’ performer. Solo, guitar, original folk songs — Purdy has all the makings of a

modern-day Woody Guthrie. Purdy is a self-proclaimed ‘hillbilly,’ performing much like Guthrie did, and also Pete Seeger, Bob Dylan and others of that ilk. And personable,

Joe Purdy

not show-off-ey at all. Purdy played a daytime concert, and when at the Pastures of Plenty later that evening, he stopped and talked with or listened to absolutely 100 percent everybody who also had been enthralled with his concert. Many of his songs are on YouTube.com.

Randy Crouch — Egads, is there an instrument out there that Randy Crouch can’t play, and play well? Keyboards, guitar, fiddle, mandolin, ukulele, steel guitar, and so on it goes. A member of the Red Dirt Ramblers, maybe even a founding member, Crouch is definitely a long-serving, long-respected musician from Day 1 of the Red Dirt Music incarnation. He sang, that Saturday night of the festival, his songs “Mexican Holiday” and “Big Shot Rich Man,” both of which Jason Boland has recorded. He sang

Randy Crouch

others, too, and played many of those instruments he is so expert at.

Save the dates, July 10-14, 2019, local musicians, and check — check quite often after the first of the year — the Website, WoodyFest.com. Under the category “Participate” will be the opportunity to become an integral part of Woody Fest, to submit to perform there. There’s other ways to become involved, too, including the songwriting contest, the T-shirt designing contest held every year — and believe me, there are some great ones accepted for print each year — songwriting workshops, and just plain ol’ volunteering.

This writer got involved in this business of music decades ago by volunteering, first at the Border Folk Festival in El Paso, and then at the Kerrville Festivals in Kerrville. Now as photographer at Woody Fest, and many others throughout the year. Being a volunteer adds a dimension to the entire experience, brings insight into humanity, and opens doors to so much more music.

See you at Woody Fest?

Toyota TMR 2018 line-up announced

Short report and photos by Mary Jane Farmer

You pick — Which is this year’s Toyota Texas Music Revolution headliner?

Friday morning (Jan. 5, 2018), Dallas radio KHYI, 95.3 The Range announced its bigger name musicians for this 22nd TMR, now TTMR since Toyota became the major sponsor in 2016.

And again this year, it’s being held at The Oak Point Park and Nature Preserve in Plano. The dates are Friday-Saturday, March 23 and 24. One stage on Friday night, and two stages on Saturday.

Tickets went on sale at noon the same day, available by going onto KHYI.com and following the link.

Playing this year will be Gary P. Nunn, Drew Kennedy, Ryan Bingham, Margo Price, Ray Wylie Hubbard, The Texas Gentlemen, Jesse Dayton, Two Tons of Steel, and Austin Cunningham. Plus a few more to be announced later and probably on the Website.

So, of that stellar line-up, who is the real headliner?

Kerrville New Folk accepting entries

The Grassy Hill Kerrville New Folk Competition for Emerging Songwriters is now accept submissions for the 2018 contest.

Held each year at the Kerrville Folk Festival in Kerrville, Texas, this prestigious contest has long brought songwriters from across the U.S. and worldwide.

Each year, as many as 800 songwriters submit 2 songs, which are listened to by a panel of presenters, artists, and music enablers. From these entries, 32 songwriters will be selected as 2018 New Folk Finalists and will be invited to play their submitted songs at one of the two New Folk Concerts held during the first weekend of the 3-weekend festival. From those 32 finalists, 6 will be selected as the 2018 New Folk Award Winners.

Official Entry Guidelines are posted on the Website: www.KerrvilleFolkFestival.org/new-folk

WoodyFest, Saturday,Turnpike Troubadours, and extra

Photos and short story by Mary Jane Farmer — Click on the links below for many photos!

Just a short observation — Woody Fest, or by the full name The Woody Guthrie Festival, provides the best in acoustic or band, originals or covers of Woody’s and other folk singers’ songs, and people/volunteers involved. In addition, the organizers also care about the continuation of this long-lasting kind of music, to the extent that they provided, at the 2017 festival, someone provide and teach harmonica; classes in songwriting for children; the author of a book on

Turnpike Troubadours

Huntington’s disease, which is what claimed Mr. Guthrie’s life in 1967; and lots of other sessions of interest. The musicians also go out into the community, taking the music to those who, for whatever circumstances, can’t attend the festival. Labors of love, all of them.

Although they provided entertainment throughout the festivals’ days and evenings (some free, others requiring ticket purchases), organizers also encouraged other venues to provide music.

And there’s so much sitting in with each other. The musicians are all respectful and eager to encourage others, often by including their guitar, keyboards, accordion, and other instrument talents, (and if you’ve ever seen or heard David Amram, you’d know why I can’t list all the instruments.) plus vocal leads and harmonies.

Tony Ramey

The 2018 festival will run from July 15-18, again and always in Okemah, Okla., the birthplace of Woody Guthrie. Keep your eye on the Website, www.WoodyFest.com, for all the details

as they become available.

For Saturday’s performers (at least the ones I was able to attend), click here

For Turnpike Troubadours’ photos of Thursday night, click here

For many other photos, click here