Joe Purdy at Woody Fest

Texas Nexus / Story and photos by Mary Jane Farmer

It’s a 3-column list I have worked up — “PACK UP” it’s called. It’s what I have to reference and cling to when getting ready to go to all the music festivals in my life. And there’s a bunch!

Me and Hippie Van head out. She has clean oil, and a clean floor every time. Ready for the road. Of course, she’s packed to the hilt. And for that, I need “Pack Up.”

Clothing:  Lots of bandanas (after all, it gets hot at most of those festivals), but a jacket for those chillier nights. Shoes, boots, rain boots, and of course a boot jack. Heavy shoes and boots, not those flimsy rubber thongs. I wore a pair of leather sandals to one of my first Kerrville Fests, they broke, and it was producer Rod Kennedy who — not so gently — chided me for even thinking those were good on that rocky terrain. At WoodyFest, I (and the other 4 photographers) have to go back and forth between four daytime stages, a couple of churches and nursing homes, and so hard-core walking boots are best there. And believe me, I’ve put the rain boots — we used to call them galoshes — to use many times.

Mary Jane at LJT Festival

And then there’s the camera equipment —  a monopod, a tripod, chargers, extra SD cards, extra batteries, extra camera, plenty of lenses — in fact, all I own. And of course I need my computer to upload those photos and get some of them worked in time to share them while the event is still going on. Again, charge cord, extra batteries for the mouse and keyboard, flash drives, external hard drive. And to tote all that, I have a luggage pull-along. Beyond that, I have to rely on the kindness of strangers to carry my lawn chair.

Essential is my large towel, clearly marked “Photog” with neon yellow duck tape, just in case there’s any question that’s what I do, and it is placed to reserve the best photo vantage-point seat in the house for me. And nowadays I check out a portable Wi-Fi connection from the local library. And there’s a definite need for showers (and I do NOT use that special towel). In lieu of them, I always pack a package of wipes.

Kerrville Folk Festival

Lots of energy powders and liquids. And for food, I take anything I can put in a bowl and cover with milk or slather cream cheese onto. Not about to spend time cooking! There’s too many photos that need to be taken! And I can’t forget my “Show-Off Album” of photos I’ve taken over the years.

After all that, plus clothing, more groceries, meds, and vitamins — really, there is still room for me in Hippie Van.

This is a feature I wrote in 2007 and, crazily, found it on my My Space somehow. It also was printed on the Rockabilly Hall of Fame’s Website of the same name. Roy Head was inducted into the Rockabilly Hall of Fame that year. I am excited to be able to include it now here on my own Website. Roy passed away on Sept. 21, 2020, a few years after his son, Sundance Head, took first place on the TV music contest “The Voice.” Sundance continues to take music to the world.

Debut
By Mary Jane (Ewing) Farmer

In the beginning, the six men on Cheatham Street Warehouse’s stage were cracking “over-the-hill” jokes and teasing each other about declining hearing, receding hairlines, and expanding waistlines. However, after the first song or two, those jokes were lost in the sounds coming from keyboard, guitars, and drums, and it became obvious to everyone that these 60-ish men were still talented and fun-loving musicians.

“Sixty-ish” in two ways – they are all between 57 and 62 years of age, and their roots began in the early 50’s and continued through the early 60’s.

The average audience age in the “sold out” San Marcos honky-tonk was 60-ish also, most of them also graduates of San Marcos High School and back to grab a few past memories while definitely enjoying the new one being created that very evening, Saturday, March 3. Even the grown grand-children at the gig were rockin’ with the oldies and apparently loving it.

Roy Head and the Traits, as these men were known in the 1950s and 60s, were one of the most successful rock-and-roll bands to come from Texas; and in 1965 met with success on the charts when “Treat Her Right” climbed to #2 behind the Beatles “Yesterday” and “Hard Days Night.” It held that coveted spot for sixteen weeks, longer than any other song in history. The song sold over a million copies (gold record status) and was featured in the movie “The Commitments.” The Traits also had chart hits with “Just a Little Bit” and “Apple of My Eye.”

But these were some several years after their beginnings in San Marcos High School. By today’s standards, that career span is considered an overnight sensation and many would say they never “paid their dues.” The guys are still in awe of it, themselves. However, these hit songs were accomplished by only two of the first six Traits, plus new musicians who joined them over the years.

Originally, Roy Head and Tommy Bolton joined together. Roy’s talents included an excellent voice for rock and roll and the ability to dance and gyrate while belting out his lyrics. Tommy was the guitar from hill country heaven, and the duo was joined soon by Gerry Gibson on the drums. They began as “The Treys,” a moniker that was changed by a local disc jockey during a live interview when he mistakenly called them “The Traits.” They liked it and by that time had expanded the band beyond the original trio.

In the fall of 1957, Roy learned that Dan Buie could play the piano by ear and the trio met at Dan’s piano to begin working on some new songs. Immediately after that, Clyde Causey joined in on lead guitar (later replaced by George Frazier when Clyde went into the military) and Bill Pennington rounded out the sounds on the bass guitar.

These teenagers went into the studio with only talent and a dream, recording two songs that became Texas and regional favorites, “One More Time” and “Live It Up.” Due to their own musical skills and their openness to mentor others, the Traits were one of a very few groups who, without a mega-company behind them, would impact the rock music industry in significant ways in the late 50s and 60s. The elongated music approach used by the Traits was unheard of in the early 60’s and has now become common in rock-and-roll music.

By the early 60s, Roy and Gerry were the only ones who wanted to remain in the music industry, and the others were replaced as time went by. When Buie left the group, the Traits added a trumpet and a saxophone and the music became closer in style to the blues sounds with a country accent, a combination unique to the Traits.

So what were these guys doing on stage in the old warehouse by the railroad tracks after so many years apart? A light bulb turned on inside the head of another San Marcos high school

Photo by Mary Jane Farmer
Sundance Head, 2018, in Paris,
Texas

graduate, serving on a 40th reunion planning committee, and she called on Dan Buie to see if the group would come back together and play for their Saturday night dance. The immediate reaction from fellow band members was, “They want us to do what?” But the boys rallied and began practicing via tapes, telephones, and in-person; and despite being plagued by sound problems, the Cheatham Street Warehouse gig was a good warm-up for the class reunion in June. Even Roy seemed a little amazed when he managed a leap into the dance floor to the cheers of his not-so-over-the-hill classmates.

The group’s honored guest at their reunion celebration was Mrs. Edra Pennington, the first adult who took these lads seriously. Mrs. Pennington, who now resides in a San Marcos nursing home, was brought to the event by her daughter, Sue, and was immediately surrounded by “her boys.” It’s kind of well-understood in the music world that musicians often make their own worst business managers and Dan and Roy, immediately recognizing this need as critical to their success, asked her early in their planning days to help them as business manager. She made these youngsters wait a week while she spoke with each boy’s parents, making herself certain that everyone was agreeable to the hopes and dreams of the Traits. They were and she did.

At the reunion, Mrs. Pennington, donned in a Traits Logo cap autographed by each of the musicians, was Queen for a Day as she was photographed with first one and then another of the band’s members. Buie said, “Without Mrs. Pennington behind us, we could never have gotten off the ground. What a grand lady!”

About the author: Mary Jane Ewing-Farmer was a 1958 graduate of San Marcos High School in San Marcos, TX.

What a difference black and white makes.

These are of the same barn. Color converted to black and white.

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Click here, on this link, to see a few more of my “challenge” photos.

No. 2 — Photography requires imagination

Each year, lately, I have gone on my own photographic journey, calling it my “Challenge.” I’ll pick a topic and do what I can to photograph items, people, events, even faces if they show a chosen emotion. And they are actually not ‘journeys’ as such, more like short treks here and yonder. Still gotta work!

A musician with Alice Cooper band, framed in the stage ‘smoke’.

For instance, I may go on a quest in search of interesting items in colors of the rainbow. (Do you have any clue how hard it is to find indigo items?) Or study ‘framing’ the subject, or starting with the letters of the alphabet. Seasonal, such as budding flowers in the spring or lighted decorations at Christmas time; people loving one another- or not, such as the middle-school-age boys who broke into fisticuffs at an outdoor concert; black and white, sometimes working in color and converting to b/w, and sometimes using the monochrome setting. And there is a a difference in how the same photo can turn out.

I started in the 1980s, while at Kerrville Festivals, with inspiration from MerriLu Park and Brian Kanoff, who were always there. But then, it was pricey, well the film and development was costly, and so I didn’t really experiment much. Mostly pre-programmed settings, if I even had a camera with that option. Musicians gave way to exotic wildlife, since I was also surrounded by zebras, giraffes, cervidae and such in that Texas Hill Country. Nowadays, I’m lucky to get a good shot of an armadillo.

One challenge, in the 1980s, was to match all the wildflowers in Texas that were shown in the book of that name, “Wildflowers of Texas.” It divided flora by color, and told in which part of the state they were indigenous. Was raising a granddaughter then, a pre-schooler, and she and I would get in the pickup and hit the highways. Her job, once the roll of film was developed, was to go through the book and match them. She did a hot-dang good job of it.

Sunset through the trees.

I may just have to start over on that challenge. Springtime? Trip to the Texas Hill Country? The Panhandle? Have you ever seen cactus blooming after a rain in the El Paso area desert?

Sometimes the challenge is to find something new as a challenge.

Many, not all, of my “Challenge” photos are shown in this and other Flickr files.