Category Archives: 2018

Woody Fest 2018 — Lived up to Woody’s life completely

Turnpike Troubadours on the Pastures of Plenty stage, Woody Fest.

This first appeared in the Friday, July 27, 2018, edition of Paris News.  Story and photos by Mary Jane Farmer, who still has about 2,000 more photos to process.

Okemah, Oklahoma, celebrates one of its own every year, mid-July, with a music festival in his honor, and two other regional favorites, also Okemah natives, play it every year.

Woody Fest, or the Woody Guthrie Festival, is celebrated on the weekend nearest July 14 each year, and features Even Felkner and the Turnpike Troubadours, and also John Fullbright, both of whom were born in Okemah.

On July 14, 1912, Woodrow Wilson Guthrie was born in a frame house in Okemah, a house which later caught fire, killed his sister Clara, and destroyed the family home. It was a hard life for the family, especially after his mother was committed to a hospital for the insane, but later determined to have been a victim of Huntington’s Disease. Woody’s dad, Charles, soon moved to Pampa to repay his unsuccessful real estate debts.

As is not a secret, Woody Guthrie was one of thousands who moved from Oklahoma to

Riley Amanda, Woody Fest Youth Songwriting Contest Winner.

California to escape the Dust Bowl and the poverty is created. Circumstances were such that Woody returned his family to Pampa but answered the call of the wanderlust himself. The rest is history, and there’s a museum in downtown Okemah that documents much of that history.

Woody Fest is produced by A Coalition, a non-profit corporation, of interested and involved music lovers, who are already planning their 2019 festival, to be held on July 10-14. This past year, there were four daytime stages in the downtown area, plus numerous ‘outreach’ themed concerts at churches, nursing homes, the museum and such; and it all shifts for the night performances to the Pastures of Plenty stage just slightly off the beaten path.

The musicians come from all over the United States and points across the oceans. Around the first of each year, the Coalition begins accepting applications from those who want to play. That is always

Bob Livingston and David Amram

posted on the Website, WoodyFest.com. After the shut-off date is met, the Coalition makes it choices. Some, like the Turnpike Troubadours and Fullbright, don’t have to apply, they are just automatically included. Others are there many years, and some play a year or two, and then are rotated out to make room for new talent. Those most often there include the Red Dirt Rangers, including Randy Crouch, from Oklahoma; Croatian-born and USA-raised Radoslav Lorkovic; David Amram, New York’s classical composer and expert at musical instruments from across the globe; and Joel Rafael from California. Regular repeaters can include Texas’ own Butch Hancock; a

Kyle Nix, with Turnpike Troubadours, plays backstage with new, young fans.

man of few words, Sam Baker; and several of Woody’s musically inclined granddaughters and great-grandchildren.

Some of the newer ones that instantly became this writer’s favorites include the following.

Ronny Cox — Actually, Cox is one of those more-often repeaters, and it’s because his

songs are so refreshingly frank, very Woody-style. Cox is also an actor, who prefers playing music to acting, but still accepts numerous screen roles. His first, or at least the one that shot him to stardom, was as the picker in the 1972 film, Deliverance, in which he was the duo portion of the “Dueling Banjos” scene. He turns down about 90 percent of the acting offers he’s given in favor of playing about 100 festivals and concerts each year.

Ronny Cox

This year, Cox brought Radoslov, or “Rad,” on stage with him, Rad on keyboards and his accordion and Cox on guitar and story-telling via songs, spellbinding the audience. That’s no easy feat for an 80-year-old, but easier for those octogenarians who make music their lives and who have something, like Cox, to say through their music.

Chloe-Beth — This young lady, barely 18 years old, managed to keep the residents of

Care Center captivated at an outreach concert. Nervous, having not played in public often, Chloe-Beth made her first smart move by dressing and applying make-up similar to the flapper-age icon, Betty Boop, someone many residents were familiar with. She presented many of her original songs, strumming the guitar while sitting in front of the community room’s fireplace and without any

Chloe-Beth

microphones or amplification. But it was when she kicked into the more familiar cover songs, such as “Marie Laveau,” that ears really perked up. Chloe-Beth added little personal touches, too, such as making one new fan feel special by giving him her guitar pick.

Joe Purdy — An Arkansas native, Joe Purdy rapidly became this writer’s favorite ‘new-to-me’ performer. Solo, guitar, original folk songs — Purdy has all the makings of a

modern-day Woody Guthrie. Purdy is a self-proclaimed ‘hillbilly,’ performing much like Guthrie did, and also Pete Seeger, Bob Dylan and others of that ilk. And personable,

Joe Purdy

not show-off-ey at all. Purdy played a daytime concert, and when at the Pastures of Plenty later that evening, he stopped and talked with or listened to absolutely 100 percent everybody who also had been enthralled with his concert. Many of his songs are on YouTube.com.

Randy Crouch — Egads, is there an instrument out there that Randy Crouch can’t play, and play well? Keyboards, guitar, fiddle, mandolin, ukulele, steel guitar, and so on it goes. A member of the Red Dirt Ramblers, maybe even a founding member, Crouch is definitely a long-serving, long-respected musician from Day 1 of the Red Dirt Music incarnation. He sang, that Saturday night of the festival, his songs “Mexican Holiday” and “Big Shot Rich Man,” both of which Jason Boland has recorded. He sang

Randy Crouch

others, too, and played many of those instruments he is so expert at.

Save the dates, July 10-14, 2019, local musicians, and check — check quite often after the first of the year — the Website, WoodyFest.com. Under the category “Participate” will be the opportunity to become an integral part of Woody Fest, to submit to perform there. There’s other ways to become involved, too, including the songwriting contest, the T-shirt designing contest held every year — and believe me, there are some great ones accepted for print each year — songwriting workshops, and just plain ol’ volunteering.

This writer got involved in this business of music decades ago by volunteering, first at the Border Folk Festival in El Paso, and then at the Kerrville Festivals in Kerrville. Now as photographer at Woody Fest, and many others throughout the year. Being a volunteer adds a dimension to the entire experience, brings insight into humanity, and opens doors to so much more music.

See you at Woody Fest?

Toyota TMR 2018 line-up announced

Short report and photos by Mary Jane Farmer

You pick — Which is this year’s Toyota Texas Music Revolution headliner?

Friday morning (Jan. 5, 2018), Dallas radio KHYI, 95.3 The Range announced its bigger name musicians for this 22nd TMR, now TTMR since Toyota became the major sponsor in 2016.

And again this year, it’s being held at The Oak Point Park and Nature Preserve in Plano. The dates are Friday-Saturday, March 23 and 24. One stage on Friday night, and two stages on Saturday.

Tickets went on sale at noon the same day, available by going onto KHYI.com and following the link.

Playing this year will be Gary P. Nunn, Drew Kennedy, Ryan Bingham, Margo Price, Ray Wylie Hubbard, The Texas Gentlemen, Jesse Dayton, Two Tons of Steel, and Austin Cunningham. Plus a few more to be announced later and probably on the Website.

So, of that stellar line-up, who is the real headliner?

Kerrville New Folk accepting entries

The Grassy Hill Kerrville New Folk Competition for Emerging Songwriters is now accept submissions for the 2018 contest.

Held each year at the Kerrville Folk Festival in Kerrville, Texas, this prestigious contest has long brought songwriters from across the U.S. and worldwide.

Each year, as many as 800 songwriters submit 2 songs, which are listened to by a panel of presenters, artists, and music enablers. From these entries, 32 songwriters will be selected as 2018 New Folk Finalists and will be invited to play their submitted songs at one of the two New Folk Concerts held during the first weekend of the 3-weekend festival. From those 32 finalists, 6 will be selected as the 2018 New Folk Award Winners.

Official Entry Guidelines are posted on the Website: www.KerrvilleFolkFestival.org/new-folk

Mary Jane Farmer, for Seven Points Festival 2018

Mary Jane Farmer

I would like to be a staff photographer for Seven Peaks Music Festival in 2018, and am making this proposal in application for the position. I can also send a more detailed resume of my music experience over the last 40 years, if that would be helpful. Many many other photos (than those linked below) are also on my Flickr site, Mary Jane Farmer Scene In Town.

Contact info:

Phone: 903-814-8257, Email: MaryJane@SceneInTown.com, Facebook: Mary Jane Farmer,  Website: SceneInTown.com

Here are 30 or so more recent photos, with a description in the file. As you can see, I have already photographed many of the stars who are playing your festivals.

https://www.flickr.com/photos/102233188@N08/albums/72157660472189502

I will take photographs of the music on any/all stages, along with set-up, crowd and vendor shots, plus any other photographs for which management specifically asks, such as Meet-n-Greets. I will have those photographs returned on DVDs or Drive to festival management about a week after the event, and they will be in 360-dpi resolution, good for printing, enlargements, or any other use desired. On a bottom corner of each photo, there will be a watermark in small print, not to distract from the photograph. I would like to reserve the right to use the photographs and to allow any musician to use them as well, of course, as can Festival management.

I can shoot with or without flash, preferring to not use a flash in order to capture the complete mood that stage lighting provides, but also like to shoot a very few with flash in order to capture those more “animated” moves that many musicians are famous for, or to get one or two without “hat shadows” across or hiding their faces. If flash is a “no no,” no problem, it will be done with no flash.

With the use of the desk/table being asked for below, I can also provide you with good photos to be sent to Associated Press or other media before and during the event, if management asks.

I can be there ahead of time if  your festival would like, to photograph the set-up and staff, and stay, if needed, until it is completely torn down.

For this, I will need:

  • Complete access to the stages, front, back, and sides, including any photographer/videographer alley between the stages and the audience.. Note/promise: I do not “pester” the musicians backstage!
  • A secure place to plug in camera battery rechargers, and to leave my equipment, including computer, when not in use, maybe a corner backstage or in the green room area.
  • A small table or desk, to make notes as the day progresses.
  • Any other niceties given other staff, such as meals, beverages, and merchandise/t-shirts.
  • WiFi access would be a definite plus.

Accommodations: I can camp onsite in my van (aka Hippie Van).  If camping, I would prefer it be as near the stages, bathrooms, and showers as possible, or have the use of a golf cart if it is a distance from the stages (being slightly…only slightly…handicapped). Or, if it is in the budget, a hotel room would be great.

Remuneration:   I have never asked for payment for shooting these events. Gas to and from Texas would be a great advantage, (I live on Social Security and part-time work and it is NOT easy to do that!) plus one or two guest tickets, also with backstage privileges, as I only bring a guest if they are willing to help me.

References:

  • “There are lots of people with cameras, only a few who know how to use them. With her never-give-up attitude and ability to make things seem larger than life through her lens, this woman is nothing short of professional. What you want from a live music photo is to capture the atmosphere. No one does that like Mary Jane Farmer.” — Dustin Perkins, singer/songwriter
  • “No one catches the depth of music like the eye of Mary Jane Farmer.” — Big Gus Samuelson, KHYI 95.3 and the band Swampadelic.
  • “Fantastic eye and a great sense of composition” — Ronny Cox, actor and musician.
  • “I get so nervous when most people take photographs at my shows. I don’t when Mary Jane does. She is always professional and considerate.” — Darryl Lee Rush, singer/songwriter
  • “You ought to be working for me,” — the late Mel Tillis said while autographing (for sale in fundraising auctions) photos I’d taken of him. I laughed, handed him a card and said, Call me,” but he didn’t, as he went into the hospital soon afterward.
  • “You can get on and work on our stage anytime you want to.” — Cody Johnson band.

Printed photos (not a complete list):Me monked 2 b

  • East Texas Outdoors magazine, spread of photos from the Red Dirt Revolution festival in Deport, Texas
  • Big Gus & Swampadelic, CD cover and inside panels
  • Jason Elmore, CD inside panel
  • Darryl Lee Rush, CD cover and inside panel
  • Vicki Penhall, Novelist
  • Buddy Magazine
  • Paris Life Magazine
  • Paris News

Festivals as “official” photographer (not a complete list):

Kerrville Folk Festivals, WoodyFest, Mountain Jam, Wounded Heroes (fundaising) Fest, Larry Joe Taylor fests, CrudeFest, Honky Tonk Festivals, Red Dirt Revolution Fest, Texas Music Revolutions, Cooler’n Hell Fests, Kevin Deal Fests, Ida Road Fests, Po Boys Picnics, Pawless Fests, ChippyFests, others

Venues as “official” or “house” photographer (not a complete list)

Choctaw Casinos in Durant and Grant, Okla.; Hank’s Texas Grill, McKinney, Texas; Southern Junction in Rockwall, Texas; Overdrive Entertainment, Durant, Okla.

The following is from an article written about Mary Jane Farmer, and the advantage of this information to your music festival would be that you understood that I do know festival production and how tedious and time-consuming it can be, and so your festival management would also understand that I won’t be bothering anyone for unnecessary reasons. “Been there, done that,” so to speak.

Article

“Although she had volunteered and been around music festivals for several years before, Mary Jane jumped into the music business with both feet in 1980, when she accepted the position of assistant to the producer for the world-wide acclaimed Kerrville Folk Festival in Kerrville, Texas.

“It was a year-round, full-time job in which, during festivals, she was responsible for overseeing the hundreds of volunteers over 18 days of the big festival, and at several other events throughout the year, plus working as each event’s business management, allowing producer Rod Kennedy the freedom to host the stage with ease. Together, the team also produced classical, bluegrass, and country music festivals, and traveled and held festivals across Texas, the United States, and Mexico.

“In 1986, Texas Governor Mark White invited Mary Jane to produce the state’s 7-stage, 2-day official Sesquicentennial Festival at San Jacinto Battleground State Park. She culminated that event by combining Willie Nelson and his band with the Houston Symphony. She has also been a booking agent and office assistant for several performers, and a record distributor, all while holding down “real” jobs, including delving into the newspaper reporting business.

“In 1999, after moving from Kerrville to Grayson County, Texas, Mary Jane became the police and fire beat reporter for the Sherman Herald Democrat. Five years later, she convinced the paper to begin publishing more about live music. That continued until the newspaper shrank (as newspapers are doing) and the music scene page was eliminated.

“She retired from that full-time job in 2012 and has devoted her time and talents to all aspects of the live music business since then. Currently, Farmer is photographing music events, concerts, and festivals, booking musicians, booking venues, and writing for Buddy Magazine, the oldest music magazine in Texas.”