Category Archives: MJ’s Story/ Blog

8 An international Christmas

The front gate to Quiet Valley wasn't quite this grand in 1982!

The front gate to Quiet Valley wasn’t quite this grand in 1982!

(I’m sorry, but we got absolutely NO photos of these people.)

Ake Pecha — I was told this means “Start fresh, my friend.”

It was probably around 1982 when Kerrville Festival Producer Rod Kennedy took a trip to the southeast, where he met a group of travelers from the Scandinavian countries. This was the “International School Ake Pecha,” two men, teachers, and three students, Preben from Denmark, Marten from Norway, and Arne from Sweden. We learned that the boys were considered worse than incorrigible, and that the countries really didn’t want them there. Thus, the five-some was traveling the U.S. with dual purpose of presenting the students their academics while showing them that, if you treat the world right, it will treat you right.

fence tossRod asked them to come to Quiet Valley Ranch, and they accepted. They drove up on three motorcycles, two of which had sidecars for the non-drivers. They stayed in the men’s bunkhouse for several months and Christmas was among that time.

I lived in the reconverted women’s bunkhouse, made into a home for me by several volunteers. Ten by 20 in size, but room enough for my bed, dresser, a chair, a small dining table, and an old love seat with the legs taken off, for my Great Dane, Mandy.

Jan, the lead instructor, and I decided to share our Christmas that year. We set up a Christmas tree on the stage, where we could pull that portable backdrop around us for protection against the chilling wind, while we sang carols and exchanged gifts. Jan and I went to H-E-B to shop for Christmas dinner. Two things: they had a special dessert called “rice cream” which Jan prepared and included a prize for the one person who got that bowl of the delicious confection. Another was his choice of veggies – little cabbages, he called the Brussels sprouts he said was traditional in their home countries. A friend from town cooked the turkey and dressing (as my cabin had no stove or oven, just a little propane-powered double-burner). We invited six people from town out for this special dinner. They all came, and contributed traditional American Christmas foods.

Texas wreath tossPreben, Marten, and Arne pulled all the furniture out of the cabin and installed two folding tables from the stage. Folding chairs, too.

Then, we prayed together and sat down to eat together, an international dinner, prepared and served and enjoyed by everybody from both sides of the ocean.

One of my all-time favorite Christmases, in spite of sorely missing my kids, who were up in North Texas with their dad.

I could tell you lots more stories about these wonderful people — and maybe I will. They did not always act 100% within the rules of “niceness;” but were wonderful, because they were learning how not to be incorrigible any longer.

 

Three things to think about before quitting.

Me 2014 at Ray Price event  copyThis took a lot of prayer and thanksgiving for me to write and publish.

This was one changing quote in my life… From the movie “Mozart,” this statement by composer Salleri: “Why?… implant the desire (for music)… like a lust in my body? And then deny me the talent?” Early on, I could not figure out myself just why I was so passionate about being involved in the music industry. I can’t sing. I don’t play a musical instrument. It wasn’t making me rich or even affording me a decent livng.

Then, one day I was sitting in the Kerrville Folk Festival office, wearing fur-lined brogans to keep warm from the cold air coming through the floor, when it hit me — I do have some talent. I can write, I can produce events, I can photograph, I can volunteer, I can show up over and over. I have been showing up since 1975. Quote from my friend, the late Bob Gibson: “Get in the music business – you can make tens of dollars every year.” Of course, I’ve had to take real jobs during all those years, as well. I retired from my last one three years ago this month.

At a street dance I helped produce in Austin, early 1980s.

At a street dance I helped produce in Austin, early 1980s.

Today, as I drove Hippie Van to the mechanic — again — I thought —again — that I must get a real job. Repairs aren’t free, insurance isn’t free, gasoline isn’t free, life isn’t free. I give up on music. I’m searching hard for a real job.

Then, opening my emails, I got this from SonicBids, meant for real musicians, but it has inspired me to keep on showing up. Actually, I may have to get a part-time real job anyway, ‘cause my photos and my writings and my organizational skills are 99% of the time free.

Three things to think about before quitting.

  1. Why did I want to pursue music in the first place?

I believe that music is a calling, not a hobby. It’s something that speaks to your soul and lights a fire within you. And for the special few, it’s a way of life and career. But it cannot be more than just a personal joy if you don’t give it the chance. You owe it yourself to see it through with all the passion you have.

  1. Why is failure an option?

    Sitting on the stage backdrop at Kerrville Festival.

    Sitting on the stage backdrop at Kerrville Festival.

As they say, nothing good ever comes easy. But why would you ever accept failure as being an option for something that means more to you than anything else? You know as well as anyone that you’ll never forgive yourself or live a day without wondering what could have and should have been if you were to ever give up on music.. Are you going to be one of the sad mass of people that let all of their talent fall behind and become overtaken by a life consumed with mediocrity and regret? Or will you pull yourself out of this rut and realize that you shouldn’t waste another waking moment not moving forward?

  1. Could I ever be as fulfilled doing anything else?

    At the Ray Price tribute/CD Release that I helped produce in 2014.

    At the Ray Price tribute/CD Release that I helped produce in 2014.

Most importantly, you need to be honest with yourself and determine whether music is what you are ready to dedicate your life to. Music isn’t the best option, it’s the only option. I believe it’s imperative that people pursue what it is that fulfills them inside, as that is the only way to find true happiness. In the words of my old buddy Confucius, “Choose a job you love, and you will never have to work a day in your life.” 

KFF2015, Pre-Fest

Me and four other long-timers

Me and four other long-timers

I (this is Mary Jane here) think I will do a daily blog similar to what I could do at Larry Joe Taylor Fest. Blog being ‘I’m included’ compared with Website being ‘It’s all about the other person.’

The staff orientation is tonight (Wednesday, May 20), but it isn’t by any chance the beginning of happenings here. One that staff (and when I say ‘staff,’ please know that it is volunteers here. Only two or three people are paid year-round. I used to be one of them, paid $50 a week — when we had the money — plus the 10×20 foot rustic cabin I lived in.) has been busy in many areas. One of those is the completion of the first-ever fully-flushable toilets for concert goers. That’s all due to volunteer staffers  who have reworked all the plumbing on the ranch, and who have worked on a great restroom facility since January. The article in the Kerrville Daily Times

It is amazing to me just how many volunteers are still here, from when I first started (full-time for that $50 a week) in 1980. Actually, I came as a paid ticket holder in 1975, and began volunteering in 1976, and that story is in a previous blog here, written last year. So much grey hair, so many disabilities, and yet, here we are — and so many smiles and hugs. I’ve included one photo here of some of my long-timer friends.

Volunteer and other photos

7. Heading home was hard

 

Mary Jane Farmer and Gail Barbee

Mary Jane Farmer and Gail Barbee

I wrote this for the newspaper with which I worked for 14 years, in Sherman. Wrote it in September 2004. It could have been written yesterday, as the feelings I wrote then were exactly what I felt on my recent weekend at Kerrville Folk Festival.

The color of the day was tie-dye; people stood in the road talking and no one honked at them; and handshakes were extinct, replaced by hugs.

It was the Kerrville Wine & Music Festival. I went down there Friday, felt a warm chill as I passed under the “Welcome Home” sign, and set up tent. Welcome home, Mary Jane.

Kevin Welch, even if he’d been the only performer, would have been worth the trip. When he concluded with his “Til I’m Too Old To Die Young,” I cried from the intensity of the lyrics. Written when his daughter was born, the now-teenager sang with him on the chorus. I didn’t get a chance to ask her what that must have felt like.

There were kids’ concerts, a musical church hour, songwriters’ showcases, wine seminars, (which I missed, being a non-drinker), bike ride, and yoga.

And rain. But not until Monday, when it was over. I have a wet tent to put up

Nancylee and Dorothy

Nancylee Kennedy and Dorothy Hammond

in the yard to let dry, and about half the Hill Country in my back seat, in the form of mud pies. Actually, by Kerrville standards, that 1-inch ranch was just a slight mist.

But it wasn’t all about that. It was about getting back to friends — many from as far as 30 years ago, dining with others in Kerrville, and meeting new people who became more friends. It was about being kind to one another, respectful of each person, no matter what differences there are, and about honesty.

It was about family. Like I said, some of these friends I hadn’t seen in lo-these many years. Yet, ol’ home turned into yesterday, then into today, and it was like we’ve never been apart.

It was really hard to head back home, but I did. And it’s OK. I’m back in Lois Lane mode. The other side of that “Welcome Home” sign reminders departers “It can be like this always.”

Like the overhead flocks of birds heading south for the winter, I’ll return in the spring.

‘nuf said.

6. Finding the goodness…

Me and Joe Don, dancing at a street dance. Only photo I could find of him.

Me and Joe Don, dancing at a street dance. Only photo I could find of him.

Lesson learned from Rod Kennedy:  The book cover doesn’t tell all the story.

In the early 1980s, I witnessed a classical music concert specifically for children. Producer Rod Kennedy, who loved and taught me to love all sorts of music, put together a plethora of music acts to show children that “Serious Music Can Be Fun.”

On stage left was young, tuxedo-clad cellist Bill DeRosa, performing on a rare and pristine cello crafted by Domenico Montagnana in 1739. On stage right was bead-wearing, shure-nuf hippy self-taught cellist Joe Don Kotrla, with his washtub bass with its one string attached to a broomstick, handcrafted only a year before.

This concert was very “Dueling Banjos” style. DeRosa would play out a kid-friendly, simple tune for the kids, and the cello kicked out the sound with such magnitude that led to ahs and ohs from

Backstage, sometime in the early 1980s.

Backstage, sometime in the early 1980s.

the young audience. Kotrla would pick out the same tune, with the sound coming through a microphone laying on the floor, which emphasized that Kotrla never missed a match. The washtub resonated and, again, the auditorium was filled with exclamations from wide-eyed children. Then, Kotrla would pick out some number, followed by DeRosa’s impromptu interpretation. Each met with excitement and excellence. It all made up a good lesson in the joy of serious music and gave both musicians an appreciate of each other’s style and talent.

The parents of those lucky children went on to hear DeRosa, backed by the Austin Symphony, in a rich classical concert later that weekend.

DeRosa went to become world acclaimed.

Kotrla went on to to doing everything else he wanted, including volunteering at the Kerrville Festivals.

I went on to understand there’s worth in every talent, every accomplishment.