Category Archives: Hank’s Texas Grill

Hank’s Open Mic Competition, Round 1 Week 2, 12.12.12

Host/Judge Ronnie Scott (center) explaining a “sing-off” to break a tie

Story and pix by Mary Jane Farmer. Click on the link for many photos of all the week’s musicians. And with apologies to contender Aaron King for not getting good pictures of him.

The preliminaries are over in the Hank’s Texas Grill 3rd Open Mic Competition, being held every Wednesday in December. There are now 16 musicians moving into the next round, Dec. 19.

The past two Wednesdays (Dec. 5 and 12), had a total of 30 musicians enter, with five of them returning this past week for a second shot at the chance to progress in the next and, hopefully, to the final round and the grand prizes.

Four of those five returnees, Adrian Johnston, Katie Lamb, Tanner Usury, and Kyle James Dunlap, were successful in that endeavor, and are moving on. Others selected this week were Trace Thompson, Mr. Troll, Jim Stewart, and Nick Adams. One tie showed up between Dunlap and contender Aaron King, and each performed a couple more songs. Then, it was up to the crowd to select which one moved on, and Dunlap came out on top of that sing-off.

They will join the previous week’s eight people moving on, Sam Gurksnis, Kyle Brooks, Ryan Strober, Vince Lujan, Bryan Adam Joyner, the 2011 champ Kyle Thompson, Jake Reeves, and Saille Branch, Dec. 19.

Hank’s Texas Grill hosts a well-attended open mic each Wednesday and has for years.

Participants can perform their own original songs or cover songs, and can have accompanists with them, if they want to. Prizes include a paid gig on the Hank’s stage. Previous winners are, Kyle Thompson (mentioned above) and Aubrey Lynn England.

Hosts are Ronnie Scott, Tyler Rogers, and Travis Parker, and are also kick-off artists and judges. Music starts around the 8 p.m. hour. Hank’s is on the southeast corner of U.S. 75 and White Avenue in McKinney.

Click here for all the photos for Dec. 12

 

Hank’s Open Mic Competition, Round 1, 12.5.12

Open Mic hosts Ronnie Scott and Tyler Rogers

Some love open mics, others can do without them, but there’s no doubt that open mics are a valuable part of the indy, grassroots music scene, busy, ubiquitous, and hustling no matter which direction you travel. The musician/songwriter views open mics as a way  to network with other musicians, maybe finding someone they can co-write with, hone their talents before a microphone and under the lights, test-drive a new song, and even audition for the nights there are paid talent on the same stage.

Hank’s Texas Grill has offered an open mic for most, if not all, of the years it’s been open. Now, for the third year, the McKinney venue is offering more to musicians — an Open Mic Competition, which started Wednesday (Dec. 5) and continues through December. That night and this upcoming one (12.12.12 — can’t have that reiteration for another 100 years) were and are the rounds for anyone to qualify. There were 21 performers last week who vied to move on into the third round. Eight of them were successful, and will play again Wednesday, Dec. 19. Those are: Sam Gurksnis, Kyle Brooks, Ryan Strober, Vince Lujan, Bryan Adam Joyner, the 2011 champ Kyle Thompson, Jake Reeves, and Saille Branch.

Those who didn’t get selected to move on last week can get back on stage this coming Wednesday for a second try, in addition to those others who chose to wait a week. Each performer gets two songs, and it doesn’t matter whether they are original or cover songs. One, this past week, had an accompanist, the others played solo. Some stand to perform, others sit on a bar stool. Some played only guitar, others added harmonica.

Hosts are Ronnie Scott, Tyler Rogers, and Travis Parker are hosts, kick-off artists, and judges. Suggested that one get there by 7:30 p.m. to sign up. Hank’s is on the southeast corner of U.S. 75 and White Avenue in McKinney.

For photos of last week’s competition, click here

Guy Clark, The Greatness Continues

Guy Clark

Story and photos by Mary Jane Farmer — click on the link below for more photographs

Mary Jane’s note:  Guy Clark has been a favorite of mine since the mid-1970s, and I had so many occasions to  work with him when I was with the Kerrville Festivals. This man has always brought an A-show with him and always been a gentlemen. I was able to be in the audience when he was filmed for Austin City Limits and visit him in his songwriting room — more like a small walk-in closet, without windows — in Nashville. Now, he’s faced the loss of his incredible wife Suzanna, undergone surgery, walks with a cane, and has a constant nagging cough, but his songwriting today is very bit as powerful as it was those 40-ish years ago.

Guy Clark made a stop on his current tour at Hank’s Texas Grill in McKinney Wednesday night, and brought with him a friend, fellow guitarist and songwriter Verlon Thompson. The audience rose in standing ovation when Clark cane onto the stage and again when the set was over.

Clark has been making great music for decades, and no telling how many people have recorded him over the past 50-some-odd years. Some songs have remained obscure, but they are in the minority.

Guy started out with four new songs, not yet recorded, the first noting the combination of  keen wit and genuine gut feeling, “I’ll Show Me.”  That’s the way of so many of this songwriting master’s musical missives — plays on words that hit right smack dab in the middle of the heart.

Clark’s guitar picking is simple and clean, mostly produced with his specially-handmade thumbpick against his “hot rod Martin” guitar. No need for a pick guard — Clark’s fingers never hit the wood, just the strings.

But it’s his songwriting that people mostly associate with Guy Clark, and when someone in the audience would call out a request, that weathered face simply smiled, nodded, and said, “OK.” No set list in hand, this allowed him to be more accommodating to the fans.

Thompson toned down his strokes and harmonies  on the slower ballads, hunkered and hushed when Clark sang the very personal “Randall Knife,” and then on “Homegrown Tomatoes,” guitars and voices  walked their way through the lyrics. Together they played “Texas Tornado” with guitars emphasizing the rise-and-fall motion of a Texas tornado.

The arrangements were different, too, than on his recordings. Guy Clark sang with more emotional emphasis, changing the tempo of a song if need be to make his point.

And the lyrics this guy can come up! (1) Blow the tattoo off of your arm and the paint right off your barn, (2) Stuff that’s real, stuff you feel, the kind of stuff you reach for when you fall, (3) …life is just a leap of faith, spread your arms, hold your breath, and always trust your cape,” and maybe the most quoted, (4) “There’s only two things that money can’t buy, and that’s true love and home grown tomatoes.”

And back to the idea of his changing the tempos and lyric emphasis on his songs. It was as if he knew there wasn’t a record producer in the picture, and he didn’t have to make these arrangements “radio ready.” Instead, he punctuated the lines… “To me he’s one of the heroes of this country, so why’s he all dressed up like them old men,” or “So we just closed our eyes and dreamed us up a kitchen.” He closed his own eyes on that, as if in contemplation, knowing he’s reaching the age of his old friend in “Desperadoes Waiting For a Train.” (“Run his fingers through 70 years of living….”)

And there were times that Clark would forget the lyrics to the song he was delivering. He’s stop, think a minute, and once said, “I’ve sang this a million times, a million times,” as the lyrics said, “And he lost the thread and his mind got cluttered, and the words just rolled off down in the gutter,” and then start again. That particular song was “Let Him Roll,” and the fans did just that, they let him roll.

The honor of being there for a live performance from an acknowledged master of music was enough, no need to forgive him. There’s reasons why Guy Clark is a legend, and those could be because he’s wise, charming, tenacious, over-the-top talented, and one of the heroes of the music country.

For more photographs, click here

White & Spears — New old music being made

White & Spears

Now in Phase 3 of his professional career, North Texas singer/songwriter Robby White is doing what he’s wanted to do all along — “It’s real country, with tinges of western swing and Texas music, and it’s the kind of music I’ve always wanted to make.”

White has teamed up with Texas country music longer-timer Ronny Spears and together, they are taking their fast-paced, stone-cold country show on the road.

White grew up in his native Van Alstyne, Texas, and, like so many do when they graduate high school, he got the blue blazes out of there after graduation. He traveled around the country a bit, getting a feel of the music across the U.S.A., and was in the south when the 9/11 attack on America made so many Americans re-evaluate their values. White was no exception, and knew almost immediately he would return home, still a young man but with a stronger dream to make memorable music.

Spears, during that time, was busy building his own career, and building it the point that he has played for one American president and shared stages with Texas greats Deryl Dodd, The Dixie Chicks, Robert Earl Keen, and huge numbers of more favorites.

Like White, Spears had his life-altering turning point, and that came from his idol, Ray Wylie Hubbard. They

Ronny Spears

were song-swapping together, the story goes, when Hubbard turned to him after he sang, and said “Quit playing copy songs.” Spears did quit, and turned the volume up on his songwriting talents.

Hubbard and the 9/11 event ended Phase 1 for both Spears and White.

Phase 2 had both artists writing more and more, and incorporating their lives into their music. They also developed their bands and their fan bases.

The two artists met by chance one night in White’s hometown. He and Texas singer Jerry Audley were to song swap at a new restaurant. In a 6-degrees-of-separation moment, Audley brought Spears with him, and quickly there was one more mic added to the diminutive stage. White said of that encounter, “It was organic the way it came down. He and I have a musical chemistry, hard to describe.”

Spears described the musical chemistry between them as, “It was instant brotherly love. I think our souls kind of went click right off the bat.”

They both continued their separate careers for a few more years, Spears and his band hitting the Texas stages with his two-fisted drinking songs and White building and traveling with his band, the Tejas Gringos.

Phase 2, for White, seemed to be coming to an end as described in one his songs, “A Texan’s Prayer.” A married man with two daughters to his credit, White wrote, while being threatened with an Oklahoma tornado on his way home from a gig, “Lord, don’t let me die in Oklahoma… I’m out here spending dollars chasing dimes.”

Phase 3 began for White when he told The Tejas Gringos he wanted to take a little time away from the road, and spend some of that time looking for ways to advance the music. The band moved to back another Texas singer/songwriter, Tom McElvain. White said, “This was real amicable, I love them and want them to win, but it got to the point that we wanted different things. Tom needed players and they need to play. And so everybody is doing what he wants to do.”

White and Spears connected again, and, with luck and hard work, the results will be an historical bridge between unashamed country and Texas music. Billing themselves as “White & Spears,” the duo is using Spears’ band, which White calls “seasoned pros,” and as of mid-September they had worked without a single rehearsal. It’s been moving that fast for them. The duo said they will be adding a fiddle and a steel soon, and there will be rehearsals.

White described Phase 3, “Now, I’m brave enough to make music for me. I’m doing exactly what I want to do. This is going to be fun, without all the trappings and the pressure. It was getting bigger, But I was losing control of it all, and I was feeling like, ‘Don’t I get a say in all this?’” He added this is why his heart is so excited, because it is unapologetically country. “Don’t ‘Red Dirt’ me,” he exclaimed.

Spears is equally as excited about Phase 3. “Actually, there wasn’t much to it, once we said, ‘Let’s do this together.’” They have begun writing together now. “We are starting to get ideas together, and we’ll throw them, like a piece of bologna, against the refrigerator. It it sticks, we’ll go with it.” He said that, so far, they’ve “got a pipeline full” of song ideas.

Spears said the band is excited, too, and some of those have been with him since their Frisco High School days. “The music Robby White does is Texas music, our vocals fall together, and it’s like we know each other like the backs of our hands.”

So what is Spears’ goal in five years? “To walk to the mailbox and capture me a check. I’ve been after this since I was a kid. I always knew I wanted to be a writer, a singer, a picker, whatever it takes. And yes, every song is for sell. Yes.”

 

Robby and Ronny

White & Spears also plan to let somebody else handle the business. “That will handle you smooth down to a nub,” Spears said. “Our nubs would all be rubbed.”

White and Spears said it’s weird, but together they are better than either of them alone, they are two halves of a musical whole.

White asks, “Get your ears on, and get down for some stone-cold country music.”

And listen while listening, because most of the songs have stone-cold simple truths of life.

For more photos, click here

Johnny Cooper, the next chapter

This was from an interview of a few weeks ago, and may have lost its timeliness. I tried to get two of the state-wide-distributed music magazines to use it, but got no response back from either one I contacted. It wasn’t rejected, just ignored. Oh, well…  Two of these pictures were taken by Mark Bickham (the better two) and two by Mary Jane Farmer.

Johnny Cooper and Joe Cortez IV

 

“Welcome to the next chapter in my life, Hanks,” Johnny Cooper said through the mic, expectedly and confidently, as he opened the first gig with his new band on the Hank’s Bar & Grill stage in McKinney.

Cooper has shared his stages and his life with Cody Shaw (bass), Ben Shaw (lead guitar), Nick Ghanbari (keyboards), and Joe Cortez IV (drums) for several years.  Cooper explained that the transition from that band to the new one began after he made plans to take some time off. He wanted to spend a little time “to work the business side of things and get the structure changed. And maybe get a good record label and good management group. And go write with some friends and maybe go back in the studio.”

He told his former band about that plan to go dormant at the end of June. He said,

“To be honest, when I sat down with everybody (in the band) I told them my plan and asked them to stay with them through the June gigs,” Cooper said. “We played that weekend, and on Monday, all three of them (both Shaws and Ghanbari) called, saying the next weekend would be their last. That put me in a bind, since there was a schedule to be met.” He explained that each of them had already made other work plans and needed to move on with those.

Coop

“But I had signed contracts and obligations. I always have to have a back-up plan.” Cooper said he had to kick that back-up plan into motion. He talked with a friend in Dallas about finding new musicians, and that friend introduced him to bass player Jay Sandford and keyboardist Cris Brenham.  They talked, Cooper sent them his CDs, and everybody got to work lo the PDQ.

It was a quick changeover of musicians for the 23-year-old, and one that demanded the new musicians to quickly catch on to Cooper’s songs, style, and schedule.

Cooper is playing his own lead guitar, and for the first set, that night at Hank’s in McKinney, Brenham and Sandford played with music stands and charts in front of them. Cooper said that Brenham had gone to jazz music school and is very good at charting music. Cortez is still with Cooper in the 4-piece group.

Cooper said that before the Hank’s gig in McKinney, the band had a couple of rehearsals and some time playing before audiences, unofficially.

“It’s been really easy to begin working with them. These guys who are playing with me now grew up into what I’ve been trying to change my music into, and it’s been pretty smooth,” Cooper said.

And that is the crux of what Cooper mean when he said, “Welcome to the next chapter in my life.” The music is moving rapidly in the R&B direction. Coop took more than a little fan flak when his music became more pop than the average Red Dirt or Texas band. But, he’s persevered and not given into pressure, and this sidestep isn’t scaring him any at all.

 

Jay Stamford

Cortez, Cooper said, has been listening to R&B’s leading drummers and “This has been Joe’s new thing he’s been trying to conquer.” And R&B music has been the focus for Sandford and Brenham “for longer than me and Joe have. The two duos have the same ideas of what we can get accomplished. You don’t want to question that too much,” Cooper said that that direct-from-the-eyes smile.

“We are still in the building phases. With only a few rehearsals, it’s more of an organic feeling on stage.  Given that, we’ve tried to make it more organized, more involved, to bring everything back to the basis.”

“If you have a passion and a dream, life is too short for you to give up on something. Better to go ahead and try it instead of falling,”  the young  Wichita Falls musician said.

Before he went on stage, Cooper said his biggest challenge was playing the lead guitar. “I’ve been working at

it for the past five years, and been blessed to have had great guitar players around me (Ben Shaw and Nick Ghanbari who has a degree in guitar even though he’s been on the keyboards in the Johnny Cooper Band).” He said that just being around Ben Shaw, through osmosis, he learned quite a bit, and has taken lessons since he was 15 years old. He added that he took back seat to the others in the field, but believed that his audience would be pleasantly surprised when they “see me do the full set.” He looked down at his guitar like a new papa looking at his baby, slight nervousness mixed with awe and confidence.

Cris Brenham

Cooper told Hank’s crowd, ”You are the first to see the show, and with that being said, let’s get a little crazy, huh.” And for the next 90 minutes, music seeped out through the shrugs of his shoulders, the soles of his feet as he rose onto his toes, and through the vocals that were stronger than ever. Unwinding, but not unwound.

At the end of that first set, Cooper walked off the stage with the crowd’s roar ringing its approval of the new chapter in Johnny Cooper’s life.